THE NEW TOWN
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Calton Hill
The Burial Ground makes a good introduction to the monuments of Calton
Hill itself. Here, on a much smaller scale, you are surrounded
by an even greater profusion of commemorative stonework.
You can't miss the most interesting monument, the Martyrs' Memorial,
the prominent obelisk erected in 1844 by the Complete Suffrage
Association. Abraham Lincoln casts a sympathetic eye on the memorial
from over the way on the Emancipation Monument, commemorating
the Scottish-American dead of the American Civil War. Next to
it is Robert Adam's great, round Roman mausoleum for the great,
round sceptical philosopher David Hume. On his burial in
1776, his friends kept vigil for eight nights by the gloomy tomb,
some said to prevent the devil coming for his atheist soul, more
likely to prevent medical students coming for his valuable corpse.
Other famous individuals whose graves can be found here include David
Allan, the historical genre painter, and Thomas Hamilton,
the architect of the Martyrs' Memorial, of the Royal High School
(see below) and of much of the city's neoclassical appearance.
Continue up Waterloo Place as it turns into Regent Road as far as the rather
depressing authoritarian bulk of St Andrew's House on the
right hand side.
Standing on the site of old Calton Jail, St Andrew's House was modelled
on the United Nations building in Geneva. It was opened as the
new Scottish Office on the day Britain declared war in 1939 and
still houses some of its departments.
Continue round the corner to take in the enormous expanse of Thomas Hamilton's
Royal High School.
This much more pleasing building was very nearly the seat of Scotland's
own parliament; the colonnaded facade of its stately old portico
looks past Hamilton's monument to Robert Burns down to
the much larger purpose-built parliament building under construction
in Holyrood Road.
Hamilton's
school building is the most complete contribution to the Greek
Revival in Edinburgh. Work started on it in 1825 as the new home
for the city's oldest school (since 1519), whose old pupils included
Walter Scott and at least three future Lord Chancellors of England.
In 1968 the school moved out to the genteel northwestern suburb
of Barnton and is now one of the city's better state comprehensives.
The building now stands empty as people debate various schemes
which might best be housed in it.
The
collection of buildings here on the hill explain why Edinburgh
was given the title 'The Athens of the North'. The democratic
pile of the school is something like the Temple of Theseus; the
Burns monument opposite imitates the choragic monument to Lysicrates;
up on the hill behind, the City Observatory is based on the Temple
of the Winds, standing next to the final touch, a bit of the Parthenon
itself in the shape of the unfinished National Monument (see below).
Branch
off left into Regent Terrace.
This
smart row of terraced houses, with private gardens sloping down
to the right, is the home of foreign consulates and private art
galleries. As it rounds the bend of the hill it turns into the
elegant curve of Carlton Terrace (with an 'r'), named in
the 19th century after the Prince Regent's London home, Carlton
House, at the time of his visit to Edinburgh.
At
the end of Carlton Terrace turn left into Royal Terrace.
This
is the grandest and most spectacularly positioned residential
street in the city. The simple form of Greenside Church,
with its square steeple topped with four tall pyramids, beckons
you from the end of the street.
Turn
left at the end behind the church and climb the steep sloped steps
to reach the top of Calton Hill for one of the finest views
to be had of the city-with the Forth Road and Rail Bridges away
in the distance.
The
root of the name Calton (without the 'r') is less august than
this prominent landmark deserves, being prosaically derived from
the old Gallic word for a hill with scrubby bushes on top, where
people used to hang out their washing to dry. The apparently random
collection of monuments you now see competing for significance
at the top of Calton Hill had been assembled by the end of the
19th century. Looking west towards the castle and Princes Street,
the Gothic style of the battlemented Old Observatory House
was designed to complement the Old Calton Jail down the hill.
Built for the optician and astronomer Thomas Short between 1776
and 1792, it is, surprisingly enough, almost the only surviving
work of James Craig, the planner of the New Town.
The
next building to go up, in no uncertain terms, was the Nelson
Monument (open April-Oct Mon 1-6, Tues-Sat 10-0; Oct-Mar
Mon-Sat 10-3; adm), the 106ft signal tower erected in memory
of Admiral Horatio Nelson after his death at Trafalgar in 1805.
Every year on the anniversary, October 21, its flags still fly
the signal 'England expects that every man will do his duty.'
The foundation stone was laid two years later in great secrecy
because the authorities feared a crowd of his admirers might fall
off the cliff.
A
climb to the top of the steep, narrow staircase is bracingly rewarding,
and if the wind is strong, admiring the view over the low parapet
can be quite hair raising. The 'time-ball' on the mast
drops at 1pm every weekday, in conjunction with the One O'clock
Gun fired from the castle. It was set up in 1852 for the benefit
of skippers on the Firth of Forth and used to be linked to the
castle by the longest telegraph wire in the world.
The
rest of the buildings on the hill were nearly all designed by
the tireless William Playfair. First came the domed City Observatory,
next to the Old Observatory, built in 1818 to provide accurate
time-readings. Inside is the two faced 'Politician's Clock'.
Another
dome was added much later and is now home to the Edinburgh
Experience (open April-June, Sept and Oct Mon-Fri 2-5,
Sat and Sun 10.30-5; July and August daily 10.30-5; adm).
Every half-hour this presents a surprisingly effective 3-D panoramic
tour of the city and its surroundings in their different seasonal
colours. At the southeast corner of the hill Playfair then placed
the Doric Monument to his uncle John, the president of
the Astronomical Institution that had awarded him the contract
in the first place.
Astronomical
is the only word to describe the cost of the next scheme proposed
by Scott, Cockburn and Lord Elgin (the one with the Marbles) among
others: a replica of the Parthenon to commemorate the fallen of
the Napoleonic Wars. The National Monument was started
in 1826 but ran out of funds three years later. Something of an
embarrassment to the city (known as 'Edinburgh's Folly'), it inspired
various early 20th-century schemes to complete it: as a National
Gallery, as a celebration of 200 years of the Union, or even as
part of yet another new parliament building. All came to nothing.
Now the great blocks beneath its 12 Doric columns provide a very
solid viewpoint, regularly mobbed at events like the Festival
fireworks.
Playfair's
finishing touch on Calton Hill was his spectacularly positioned
circular monument to Dugald Stewart, the professor of moral
philosophy, a more exact copy of the Lysicrates monument, put
up only a year after Hamilton's one for Burns down below. If it
looks familiar, it may be because television journalists seem
fond of choosing it as the ideal backdrop for their reports on
the latest hot developments from the Scottish political scene.
To
get down to the bottom of the hill, take the path to the left
of the monument, enjoying the fine view down Princes Street. Go
down the steps to the left and, just before you get to the bottom,
look out for the unusual memorial to Saint Wolodymyr the Great,
Ruler of Ukraine, hidden in the ivy. Turn right on to Regent Road
and walk back down Waterloo Place to the Register House.
Before
the Battle of Waterloo had ever happened, the area in front of
Register House was Shakespeare Square, famous for its Theatre
Royal, where the most celebrated actress of the day, Sarah Siddons,
appeared in 1784. Nothing daunted by her initial failure to draw
the expected applause, she continued with her performance. In
one of the silences that followed a voice was heard to murmur
'that's no' bad!', which provoked a thunderous ovation. Walter
Scott's dramatised version of 'Rob Roy' was another highlight
which saved the theatre's by then ailing fortunes, but it was
a short reprieve.
In
1859 it was demolished to make way for the new General Post
Office, the large Italianate building now standing empty on
the North Bridge opposite the Balmoral. Prince Albert laid the
foundation stone in 1861. There are plans afoot to convert this
enormous building into a five-star hotel, but the familiar facade
of the much-loved East End landmark will thankfully be saved.
Pass
Register House on your right, heading west, and turn right into
a narrow alley called West Register Street.
On
the right is New Register House (for records of births,
marriages and deaths), and the Court of the Lord Lyon, final arbiter
on all matters heraldic and genealogical. On the left, the Guildford
Arms is an excellent real ale pub with a late 19th-century ribbed
ceiling, next door to the famous Café Royal with
its long island bar, green leather benches and antique tiled walls
depicting industrial pioneers.
If
you are doing this walk during bank opening hours continue straight
on, down a paved alley called Gabriel's Road (keeping New Register
House on your right), turn left through a narrow gate and you
will emerge into the front courtyard of the Royal Bank of Scotland
in St Andrew Square. If the bank is closed, follow West Register
Street round into St Andrew Square and tuft right until you are
standing in front of the bank.
St
Andrew Square
Little
of the original character of the first square to be built in Craig's
New Town remains, although the houses along the north side give
a rough idea of what it all would have looked like. The rest of
the square has been largely swallowed up in grandiose financial
institutions. However, the exterior of the elegant Palladian country
house which is now the Royal Bank of Scotland's headquarters
would still just about be recognisable to its 18th-century owner,
Sir Laurence Dundas, Commissary-General in the British Army. In
1774 he pipped the City council to the post by buying this site
before they could build St Andrew's Church here (forcing the church
to be built on George Street, see below). Inside, the building
has been much altered, but it's worth going in to see the starry
19th-century dome in the telling room. The reckless Sir Laurence
later lost the house one night in a bet, but, rather than move
out, built his creditor another house in Drummond Place.
The
150ft column in the middle of the square dominates its surroundings
as surely as the man on top held the reins of power in late 18th-century
Scotland. This was Henry Dundas, first Viscount Melville,
dubbed 'Harry IX, uncrowned King of Scotland' and described by
Cockburn as 'the absolute dictator of Scotland'. He was Prime
Minister William Pitt's right-hand man, keeping rigorous control
over the voting of peers into Westminster, and wielding the kind
of power that was only finally done away with by the 19th-century
reform acts. The column, modelled on Trajan's in Rome, was put
up in 1823, some two decades before Nelson's in London.
The
six elongated figures on top of the Bank of Scotland, next
door to its rival, represent Navigation, Commerce, Manufacture,
Art, Science and Agriculture, the interests at the time of the
British Linen Bank, who commissioned the building in 1846. Heading
clockwise round the square, past another antique tiled bar called
Tiles, you will find a plaque on the wall at No.21, in South St
David Street, which marks the place where David Hume's
new house once stood. One of the first to move into the New Town,
the mild-mannered philosopher is supposed to have taken it in
good part when the daughter of a judge graffitied his wall with
'St David'. He replied that many a worse man had been canonised,
and the name has stuck for the street. It's ironic that this house
was later where the first meetings of the Bible Society of Scotland
were held.
Walk
around St Andrew Square and continue west down George Street.
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